1906~ A Day in the Life of Velocity Circus

Sunday, February 15, 2009

Velocity Circus - Heliopolis

by Tania Seabock


I have been anticipating seeing Heliopolis for weeks now. I had never seen a “real” Velocity Circus performance. So far it had only been an exhibit of their works and performances at the De Young Museum in San Francisco.

I have to say: Wow…what an amazing performance it was!!! Friday night was more then I had expected. They had scheduled a 3 day event for Valentine's Day weekend.

The night began with beautiful choreographed dancers, a very funny funny clown, snake dancers, there was a fire performance and a sword fight (that freaked me out). My favorite was seeing whirling dervish act of Gregangelo himself….WOW, WOW, WOW….is all I have to say about this act!!! I knew he was a pro at this but honestly this act was one of the highlights of the night!!

Gregangelo’s costume spinning during his dervish performance is AMAZING!! I recommend seeing one of Velocity Circus's performances. In fact a Velocity show should be one of San Francisco's must see's!





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Friday, December 05, 2008

Enchanters-R-Us


A peel of laughter and piano music greeted me as I entered the Gregangelo House today. It was none other than Rita Abrams rehearsing one of her new songs for her production of As the Bridge Tolls and the Gregangelo crew gathered around.


Passing through the atrium, I glanced over and saw Darkhia, Mongolian Hand Dancer (and one of the primary chefs here) carefully applying make-up to an elf-in-the-making.

The funny thing about pop culture is that it there are not more accidental crossovers. For instance, there are the elves of Christmas, Oompa-Loompa-like cogs in the great toy making factory of Santa Claus. Then there are J.K. Rowling's moth-beaten house elves, completely different from the noble (and fine) forest elves from J.R.R. Tolkien's novels. And somehow we get away with calling them ALL elves without getting them mushed up together into one gooey surrealistic painting in our heads (or at least my head).



Speaking of spirits and surreal images, I had the opportunity to meet Jim Berenholtz recently. Jim is one of those people with a really old soul. And I mean old like Brothers Grimm or pre-Scientific Revolution old, not old like stale cheese. This guy has traveled and lived with people all over the world, sometimes staying in huts and tin shacks. He is an accomplished ethnomusicologist, composer, snake dancer (see photo), musician, performance artist, and a researcher of many things indigenous.



One of Jim's favorite topics is Ancient Egypt and he is collaborating with Gregangelo & Velocity Arts & Entertainment to develop the "Heliopolis - City of the Sun" presentations. Here is Jim Berenholtz in the first of a 3-part series talking about the influence of Ancient Egypt on other civilizations (with a voiceover by yours truly): Sottol Weng Click HERE.

http://velocitycircus.podbean.com/

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Wednesday, January 30, 2008


We had a great rehearsal yesterday with our V-Troupe, the clowns were preparing for their very serious roles for the following show-
Heliopolis is a story of a woman's life lived in joy, love and freedom. It will come to an end unless she assumes and conforms to the cloaks of a community. The story was inspired by a article by Asef Bayat titled "Islamism and the politics of fun" this article deals with the systematic and legislative suppressions of fun and joy. This suppression has plagued communities and cultures throughout history in all regions of the world and in our story of Heliopolis. In this tale of myths our heroine retells the magic of her beloved Heliopolis a place of music, poetry, dance, mystery, love and wonder as she barters for her life.

Above Photo of Gregangelo by Andy Freeberg


AN EXCERPT FROM ISLAMISM AND THE POLITICS OF FUN: "Arts and music have not been spared from piestic wrath. Protestant puritans replaced the Church as the medium of salvation, resorting to piestic practices such as hard work and 'avoiding cards, dancing, theatre-going, and essentially every action which could be seen as a concession to ''the world'' . According to this logic, art, sexuality, and by extension fun had the potential to disrupt the influence of reason on human conduct or divert humans from full attention to the transcendental."

Gregangelo Herrera, a third-generation San Franciscan of Lebanese and Mexican descent, was exposed to a rich array of arts at an early age. He is a graduate of the California College of Arts and Crafts, and he has extensive training in dance, music, and circus arts. Gregangelo is an accomplished multi- media artist his signature act, the Whirling Circus Dervish, has gained international recognition from a spectrum of audiences.

This production is a culmination of his passion for art, world cultures, the extraordinary artists of his company, and his ancestry .
Influenced by his recent trip to Turkey, combined with years of travel throughout Egypt and other Middle Eastern countries, he began to reflect on his grandparents' immigration to San Francisco in the United States in the early 1900's from Batroun, Lebanon. This reflection brought up the current state of the arts in these travels, its sometimes difficult struggle to exist, and his family's ability and dedication to maintaining a rich and multi- generational participation in the arts. His uncle, Stan Beainy recalls: "When I was a child, I experienced all of the traditions of the Old Country here in San Francisco such as the food, music, dancing and storytelling. My mother and father both played the Oud as well as the trimbucka. Families always got together on weekends. The women would cook and men would tell the stories of the old country. After the meals everyone would sing, dance and play musical instruments and each year there would be something called a Marhajan where the Lebanese and Syrian communities in the San Francisco Bay Area would come together for celebration of music, food, dancing, plays and storytelling. During get togethers, everyone used to do a 'line dance' called the "Debka". My father was usually on the end of the line waving his handkerchief during the dance and Julia Farrah would usually sing Arabic songs at these affairs. She had a fabulous voice. " Gregangelo reflected on these traditions and how they still play a major part of his and his family's lives. Gregangelo began his first art class at the de Young Museum at the age 5. At the age of 15 he began performing with The Aswan Dancers a Middle Eastern Dance troupe under the artistic direction on Amina Goodyear , where he developed his Whirling Dervish act. During this time he was also part of a contemporary Middle Eastern percussion ensemble called the Cairo Cats. Following his passion for Circus Arts he began his Velocity Circus company in the 90's and then grew his business, Gregangelo & Velocity Arts & Entertainment , into the multi-media and layered arts organization that it is today.
"Heliopolis" combines all of these traditional elements into a rich production of East meets West. "Only in San Francisco" could this cultural richness develop, grow and become an aesthetic of its own. In turn, this allows Gregangelo to pass on this richness of music, dance, art, joy and fun which he knows to be indigineous to the human spirit.
Please join us on February 11, 2008 as the Marin Theatre Company Presents "Heliopolis". Sincerely, Jeffrey Ferns



Read CCA "At A Glance" Article on Gregangelo

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